Now this is some trippy shit. Sounds like a cross between Siouxsie and the Banshees, MIA and an electroclash lawnmower. Zambri is the surname of sisters Cristi Jo and Jessica, and their cat-raping aural aesthetic will either tie your room together or split your chromosomes, depending on your tolerance for Glossolalia... which is the name of their upcoming EP as well as an apt description for their shattered psych pop.
Zambri- On Call from Johnny Woods on Vimeo.
Sunday, September 11, 2011
Zambri: "On Call"
Labels:
2011,
experimental rock,
Zambri
High Places: "Altos Lugares"
Take that, Brooklyn! In a rare breach of coastal loyalty, the duo that is High Places relocated from loathsomely trendy Brooklyn - Bed Stuy, but still - to the sunnier climes of LA, itself a trending hipster Mecca but 1) it's been a minute since LA was known for great music and it's their turn to shine, and b) at least it's not Williamsburg. This is apparently off an upcoming album called Original Colors, but details are skimpy since I got this off Gorilla vs Bear and we're all just basically stealing off some ur-blog to begin with.
High Places - Altos Lugares from Thrill Jockey Records on Vimeo.
Labels:
2011,
High Places,
indie pop
Saturday, September 10, 2011
Alex Clare: "Too Close"
Taking the torch from James Blake, upstart British crooner Alex Clare crafts a more accessible, radio friendly version of Blake's neo-soul-via-dubstep template. Whereas Blake's aesthetic tips the balance in favor of dubstep with soulful vocals layered over top, Clare flips that notion on its head: this is definitely pop music first, dubstep second. Not that that's a bad thing, and the production courtesy Diplo and Switch ensures that the dubstep elements are legit, if only ornamental.
Labels:
2011,
Alex Clare,
dubstep,
pop
Anthrax: "The Devil You Know"
On the heels of their recent tour announcement (with Testament and Death Angel), Anthrax recently dropped the second single from their upcoming album, Worship Music. If it ain't broke, don't fix it. I've listened to the full album - will be reviewing it for Metal Injection this weekend - and this is no reinvention of the wheel. It's more of a retreat back to 1990, when the last album with Joey Belladonna came out. After Belladonna left and John Bush came in I still liked Anthrax, but they were no longer really a thrash band at that point. Worship Music is actually more akin to 1987's thrash fundamentals clinic Among the Living than 1990's slightly more experimental Persistence of Time.
Labels:
2011,
anthrax,
thrash metal
Thursday, September 8, 2011
Throwback 1967 || Vanilla Fudge: "You Keep Me Hangin' On"
"You Keep Me Hangin' On" was originally recorded by the Supremes and released in October 1966, becoming the group's eighth number one hit the next month. Almost immediately, the song became a staple cover in rock/R&B circles, and amongst those taking a crack at it were American psych rock band Vanilla Fudge.
This version, shown below in a "live" clip from the Ed Sullivan Show, would be the band's first single (in a three minute truncated form) in 1967, reaching #6 on the charts. Vanilla Fudge are best known today for giving the hard rock world Carmine Appice and Tim Bogert, both of whom recorded an album with Jeff Beck in the mid-70's. Appice in particular has kept monstrously busy over the years, contributing to the bands Cactus, King Kobra, Blue Murder and his own Guitar Zeus project amongst many others.
This version, shown below in a "live" clip from the Ed Sullivan Show, would be the band's first single (in a three minute truncated form) in 1967, reaching #6 on the charts. Vanilla Fudge are best known today for giving the hard rock world Carmine Appice and Tim Bogert, both of whom recorded an album with Jeff Beck in the mid-70's. Appice in particular has kept monstrously busy over the years, contributing to the bands Cactus, King Kobra, Blue Murder and his own Guitar Zeus project amongst many others.
Labels:
1967,
acid rock,
psychedelic,
Vanilla Fudge
Wednesday, September 7, 2011
Opeth: "I Feel the Dark"
Yep. I really think Heritage is going to be the album to get me back on board the Opeth horse-and-carriage. I don't go so far as to call their more recent albums "selling out", but there has definitely been that sort of phoned in quality of a talented band with chops galore just going through the motions, much the same glaring indifference as Opeth BFF's Dream Theater have toiled under for a decade. Between this song and previous leak "The Devil's Orchard" I'm definitely down with the virtually metal-free 70s prog sound I'm hearing.
Labels:
2011,
Opeth,
progressive metal,
progressive rock
Tuesday, September 6, 2011
Mastodon: "Spectrelight"
At the risk of gorilla pimping this band's recent output, here's another ridiculously promising new track from Mastodon's upcoming The Hunter. For those keeping score, this is the third officially released song from that 13 track album, so by the time September 26th rolls around you should definitely have decided you need it in your life by that point. Like I said last time around, I'm pretty stoked to hear the more stripped down, balls out rock material coming out of the band, as opposed to the bloated, progressive sound they've been fucking with in recent years. Tell me why I'm wrong in the comments, otherwise I'll take your silence as tacit consent.
Labels:
2011,
Mastodon,
progressive metal,
sludge metal,
stoner rock
Ryan Adams: "Wasted Years" (Iron Maiden cover)
Here's a recent Ryan Adams cover of the eloquent Iron Maiden folk song (huh???) "Wasted Years", recorded live for BBC2 on August 30, 2011. Chew your food, bitches!
Adams has a new record, Ashes & Fire, coming out October 11th, but this will not be on there, yet another in a long line of intentionally bootleg-ready material.
Adams has a new record, Ashes & Fire, coming out October 11th, but this will not be on there, yet another in a long line of intentionally bootleg-ready material.
Labels:
2011,
cover song,
indie folk,
Iron Maiden,
Ryan Adams
Justice: "Audio, Video, Disco"
This has the breezy vocals of early Air combined with the oh so French electro rock that Justice have helped pioneer, itself a handshake compromise between traditional filter disco and the disco punk that is all the rage at present. "Audio, Video, Disco" is the title track off the band's upcoming album of the same name, due 25 Oct 2011 in the US (see what I did there, motherfuckers?). This is the second single off of that album, following "Civilization" released way back in April. I like "Audio, Video, Disco" better as a song, but "Civilization" had the better video.
Labels:
2011,
electro rock,
Justice
Wavves (feat. Best Coast): "Nodding Off"
Back from vacation, hiatus over. This is a good summer tune to come back to, the weather in New York seasonal compared to the perennial 105-degree heat wave I left behind in Austin, the return to Austin met with unexpectedly similar cool temperatures as I basked in while guerilla pimping the Big Apple.
"Nodding Off" is primarily a Wavves affair, basically employing singer Nathan Williams' main squeeze Bethany Cosentino (of Best Coast renown) as harmony singer. There isn't much of the trademark Best Coast lo-fi here, it's primarily well-produced, upbeat party time rock a la Wavves' "King of the Beach". "Nodding Off" will be featured on the upcoming Life Sux EP, which should be out as soon as the distributor finishes up at your mother's house.
Labels:
2011,
Best Coast,
indie pop,
indie rock,
wavves
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