Get this jimmy jam on Musica Comeme.
Thursday, December 20, 2012
Philipp Gorbachev: "Montana Blues"
Last song of 2012, folks. "Montana Blues" has that disco hi hat-driven, late night end of the world feel to it, I think. Or maybe I'm just trying to shoehorn it into a preconceived context so that I can wrap this up and get my holiday drink on already. Well, shit, if you're going to be that way about it maybe I shouldn't say anything at all. Merry fuckin' Xmas, arsehole.
Get this jimmy jam on Musica Comeme.
Get this jimmy jam on Musica Comeme.
Labels:
2012,
dance,
electro,
Philipp Gorbachev
96wrld: "Pirmas Rudeninis"
"Pirmas Rudeninis" comes to us via the Renegades of Bump imprint's Ritmo Kovos vol. III comp. Bump is about as good a word as any for what 96wrld is getting himself up, gurgling bass splashes on a roller coaster ride with acid stabs as their conductor. Check out dude's Soundcloud page if you like his m.o.... he's been keeping busy.
(via XLR8R):
(via XLR8R):
Labels:
2012,
96Wrld,
dance,
electro house,
experimental
Kriget: "Holy Mountain"
Ever since Richard D. James retreated underground, there's been a dearth of experimental acts that are just so innovative that no one else seems to be able to successfully cop their steez. "Holy Mountain" is the first thing I've heard from Swedes Kriget, so I'm not ready to anoint them yet, but check out the way this track jumps unapologetically off the rails at the 2:00 mark, rattling about as if it's trying to find its mark again, but then settling on an entirely different path altogether. With only highly processed bass, drums and sax to their credit, they're not quite no wave, definitely not new wave... call it neu wave if you must. Definitely some krautrock in there.
You can get the 7" digitally here, with physical copies coming February 5 via The Control Group.
You can get the 7" digitally here, with physical copies coming February 5 via The Control Group.
Labels:
2012,
experimental,
Krautrock,
KRIGET,
no wave
Parquet Courts: "Stoned and Starving"
"Stoned and Starving" is some ragged ass shit. The lead singer and the backups don't sound like they're even in the same time signature, but somehow it works. But goddammit, this is the last Texans-move-to-Brooklyn guitar act I'm posting on WKMR. Shit must cease.
Labels:
2012,
cow punk,
Parquet Courts,
post punk
The Presets: "Promises"
"Promises" brings back that Northern Soul-influenced synthpop of the early 80s, sort of a middle ground between Spandau Ballet and Level 42.
Labels:
2012,
new wave,
synthpop,
The Presets
Othello Woolf: "Keep On"
Last round and then we're off until the first of the year. My NY resolution for 2013 is going to be getting back into the habit of posting daily, something I already needed to get back into the swing of, so it's kind of like a resolution freebie. Let's get this over with...
Othello Woolf sounds like the name of a really studied, possibly even stuffy singer-songwriter type with too many dusted off sonnets rattling around in his head. Nope, straight up cloud soul for that ass. Grab a free album + EP over at homeboy's website. Unfortunately the freebies do not feature "Keep On"... look for that track on a new album early next year.
Othello Woolf sounds like the name of a really studied, possibly even stuffy singer-songwriter type with too many dusted off sonnets rattling around in his head. Nope, straight up cloud soul for that ass. Grab a free album + EP over at homeboy's website. Unfortunately the freebies do not feature "Keep On"... look for that track on a new album early next year.
Labels:
2012,
electronic,
Othello Woolf,
R and B
Monday, December 10, 2012
How to Dress Well: "& It Was U"
The congregation in this video looks like an overdressed, underperforming aerobics class. Necessary to make sure no one missed the obvious gospel inspiration in the song itself, I suppose.
Much like The Weeknd, How to Dress Well is another one man experimental R&B producer masquerading under a group moniker. His sophomore "slump" doubled as his breakthrough album, with Total Loss being anything but a salvage job. That was dumb; I apologize.
Much like The Weeknd, How to Dress Well is another one man experimental R&B producer masquerading under a group moniker. His sophomore "slump" doubled as his breakthrough album, with Total Loss being anything but a salvage job. That was dumb; I apologize.
Labels:
2012,
experimental pop,
How to Dress Well,
R and B
The Invisible Hand: "Psychic Cat"
When I think Virginia I think Lamb of God and that's about it. The Invisible Hand are trying to change all that with the bubblegum garage of "Psychic Cat". The band members have a pleasantly non-trendy look about them while pounding out some convincing if lightweight power pop, so I'm naturally inclined to be on their side.
Get their Steely Dan-referencing Aja EP via Funny/Not Funny Records.
(via Stereogum):
Get their Steely Dan-referencing Aja EP via Funny/Not Funny Records.
(via Stereogum):
Labels:
2012,
garage rock,
Invisible Hand,
power pop
Thursday, December 6, 2012
King Gizzard & The Lizard Wizard: "Muckraker"
Garage rock is one of those things that spent a good chunk of the late 70s/early 80s dominating punk rock before going largely dormant by the mid-80s, slumbering Cthulu-like deep beneath the surface world for years until it made a resounding comeback around the turn of the millennium with The Strokes, White Stripes, Hives, etc. Since then it's never been in any danger of going away, particularly in Australia, which now blesses us with the amazingly named King Gizzard & The Lizard Wizard. 12 Bar Bruise was self released on the band's own Flightless label back on September 7, but WKMR has been doing a lot of pre-holiday drinking over the last 90 days so we seem to have overlooked it up until now.
Pillowfight: "Get Your Shit Together"
Where do I recognize that cinematic backing track? Ah, I'm pretty sure I heard it on a Tarantino soundtrack which means he in turn stole it from someone else. Double down on my research? Fuck that. Pillowfight is a new project by Dan the Automator and the somewhat lesser known Emily Wells. Wells' vocals strongly recall the trip hop era of the late 90s, which seems to be the next big era to be revisited wholesale.
Labels:
2012,
electro pop,
electronic,
Pillowfight
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